I was going to try some new dyestuffs, so I tried this Indian madder, manjistha (Rubia cordifolia). I had dry roots bought from a herb store, used a usual recipe for madder-like things: soaked for a while (about a day), added some calcium, then simmered for a few hours, then left for a while still, then strained, added alum and tried dyeing. After a few long (multiple hour) dyeing sessions, in-between which I let the egg dry out, here is what I got. It’s a bit more orange that a brown egg would be. It took very slowly, and the shade it not very deep.
It’s possible that I messed up something with the recipe, perhaps I should have chopped the roots up to make them finer (I’ve seen that recommendation somewhere). Manjistha is supposed to be less afraid of heat than regular madder (the main dyeing component, manjisthin, is present in madder too, but in a much smaller proportion), so I don’t thing that I overheated it. I used distilled water this time, who knows, maybe manjistha doesn’t like that. I din’t like the smell very much from the beginning, and after a few days the dye has started fermenting, so I ditched it. I dryed out the used roots and kept them in case I want to use them again – this is recommended with roots in general. Still have half of the original amount of unused roots, but probably won’t try it again any time soon – too much effort for a result that is too weak.
Sappan wood (Ceasalpinia sappan) has become my favourite source of red color for now. Native to Asia, it is the “older” cousin of what is now known as Brazil wood. When the Portuguese invaded what is now Brazil in 1500, the redwood trees they saw growing there reminded them of Sappan wood, which they already knew, called it pau-brasil and used for dyeing along with the rest of the Europe. Because of extensive use for dye and for violin bows, or perhaps the opposite, because the dye business was not economically profitable after the invention of the chemical dyes, or maybe due to both these reasons, the Brazil wood (Ceasalpinia echinata, Paubrasilia echinata) is almost extinct now, Wikipedia says that the trade of Brazilwood is likely to be banned in the immediate future. So now we are back to the good old Sappan wood, which is still available and abundant in India and China. It is used medicinally in both Ayurveda (where it’s called Pathimukham) and in Traditional Chinese medicine (where it’s called Su Mu). Continue reading →
Made this egg few weeks ago, when sappan wood dye was still fresh. Brown chicken egg, etched with vinegar, then sappan wood. Inspired by Natalie Kit and her brown eggs that I saw at Pysanky Toronto.
The pattern is from Odarka Onyshchuk’s album, I already the same pattern in malva and buckthorn and posted earlier. Here’s the photo of both eggs with this pattern together, who knows, I might make more of these still, love that pattern this year.
I wanted to keep using the dyes I made for the Pysanky Toronto retreat. The dyes were not very cooperative at the event, but when they came back home and relaxed a bit, they were dyeing just fine, so it would be a shame to not use them. Still working on the strokes, and starting to work on the variety of patterns. All these patterns are from the Lithuanian book.
Top-left, coreopsis extract then sappan wood
Top-right dyer’s broom extract, then mulberry, then sappan wood (red)
Bottom: coreopsis extract, then sappan wood, then vinegar etched to white, then dyer’s broom to bright yellow and immediately after mulberry.
The 3-day pysanky retreat in Toronto is now over, it’s been a wonderful experience, amazing people, new friendships, exquisite art, ingenious craft, and the atmosphere full of inspiration, which, I’m sure, will last for a while. If you have an interest in decorating eggs, whether traditional, or contemporary, you have to come next year! (Possibly in June). Whether you are new at this, or you have been doing it for years, you will learn a lot.
Now, this is the only egg I managed to do, I just enjoyed too much seeing what others are doing, chatting, learning…
I was asked to do a presentation on natural dyes, and that in itself was a wonderful experience for me. I felt welcomed and very much encouraged, there is a lot of interest and desire to use natural dyes on eggs. I also made brought a set of 6 dyes, and even though natural dyes require much more time than chemical ones, they are very unpredictable, and some of them did not want to cooperate, several people tried them. By next time I think I will figure out a more cooperating set of dyes, and that will probably make a difference.
Gold – coreopsis extract, brown – combination of dried sappan wood dye and logwood extract dye. Chicken egg.
For those of you who are wondering, what different mordants can do to the dye, here is sappan wood with alum (red) and the other half of the same dye with iron mordant (purple-grey-black).
Besides changing the colour (or tone) itself, in some cases mordants used of fabric also improve, sometimes dramatically, light- and wash-fastness of the dye. I don’t know what will happen with eggs, I guess, the time will tell.
Here’s the iron mordant I got and used:
Technically speaking, you could just use the edible grade iron sulphate supplement from a drug store, it’s the same formula most of the time.
Another proof that not all that works for fabrics works for eggs also: the iron added to coreopsis dye did nothing, in fact, it just killed the dye, even though iron seems to work well with coreopsis for both plant and animal based fibres.