Apple wood chips

Both Kulzhynsky (1899) and Korduba (1899), when reporting on the use of natural dyes on eggs in what is now Ukraine, talk about wild apple tree bark as the main and most common source of the yellow dye. I have not seen anyone anyone using apple on eggs in the present time, so when I saw that Botanical Colors had some on sale, I just had to buy some and try. These are “wood chips” of apple tree, and I don’t know how similar or different it is from the “wild apple tree bark” reported by the classics, but it’s the closest we have at this point.

I used a simple method – covered the chips with demineralized water, soaked for a while (one or two days), then simmered for a while (probably about half and hour), added a pinch of alum, strained and used. The dye works rather slowly, but gives a very pleasant result, closer to what in the egging community is referred to as “gold”.

Here is the range on tone from the same dye, with a white egg on the left for comparison:

And here are the same eggs with wax removed, bottom left over-dyed with cochineal, bottom middle dipped in iron water, and bottom right with sappan wood:

All eggs are traditional Lithuanian patterns from this book.

I will be dyeing more with apple wood chips!

LAST WEEKS’ LITHUANIAN EGGS

It’s been rather difficult for me to find inspiration for eggs, with war and all that looming the background, so I’m glad that “Pysanky Toronto 2023” that’s starting in a few days has forced me to make some for the Lithuanian eggs workshop I’m teaching there.

All of these are attempts to copy traditional Lithuanian patterns, for some of them there are several takes of the same pattern. 

There were three yellow dyes: apple wood chips (that I’ve never tried before, but that seems to be one the the most traditional yellow dyes in Ukraine), dyer’s chamomile, and some of our home grown last year’s coreopsis. Of the reds there was an old cochineal extract dye, which I’m surprised still worked, and I cannot remember when I made it, must have been for the natural dyes for Ukraine fundraiser last year. The second red dye was sappan wood which this time didn’t cooperate too well neither in the wood chips, nor in the extract form. All dyes were with alum, and the two greenish eggs were dipped into iron water after the yellow dye.

I will probably make another post or a couple eventually, showcasing at least the apple chips, but maybe other dyes individually as well.

I’m starting a new page in my egg adventures in September, so there will most likely be more frequent posts, in fact, I will probably add a personal blog page somewhere here to document my other-than-egg explorations and experiences.

Kharkiv Collection – 1

I love the album with the Easter egg collection from the Kharkiv Historical Museum. This collection was started by Sumtsov, and at this point I won’t say anything more about the collection itself, not to draw any unwanted attention. I tried to semi-replicate one of the eggs in this collection, you can see in on the page right under my egg, what I love in particular about this publication is that they have included both the photo of the original egg, and of the contemporary replica side by side.

The dye I used for this egg was made from maiwa cochineal extract with alum. I’m not posting the recipe here because I’m not particularly happy with the outcome. I’ll have to play with the versions of the recipe more, and will post one in the future once I got what I like. Part of the thing I’m not happy about is the amount of grey tone in the color, as opposed to pure or brighter pink or wine color. I know it’s possible to achieve shades more in tune with the color of some of the original eggs in this album from cochineal, because I did happen to succeed in past :). If I do this egg again, I would also make the segments of the egg less elongated at the base of the plant motif, and possibly the tip of the plant more round.

We don’t know where exactly was this egg is from, it is possible that someone at the museum (or someone else more knowledgeable than me) would be able to either provide more info, or to theorize about it, or to make an educated guess. Some texts that accompany the images in the album suggest that the specific information on the geographic origins of the eggs has been lost, though they do provide the more general account of places whether the eggs in the collection could be coming from. However, there are quite a few of these pink-purplish color eggs in this particular collection, and I haven’t really seen this color combination in such a large number in other traditional collections. Something to be explored.

And the season is over for now…

All of these colors were achieved with the combinations of saskatoon berries (blue), sappan wood (red, pink), buckthorn (yellow), buckthorn with iron (brown), gardenia (yellow/gold), coreopsis (gold), elderflower (yellow) (except emu where no dyes were used), plus the natural variations of eggshell color and vinegar for etching.

I’m becoming more comfortable with drop-pull technique, seeing more possibilities. While most of these eggs are trying to be strictly traditional as much as possible (mostly Ukrainian, some Lithuanian), a few patterns have just appeared out of nowhere, non-traditional (though not necessarily anti-traditional) which is nice. To write “my own” design is something that almost never happened to me in the other more common technique, so to have it happen in drop-pull after a relatively short time is rather surprising and even inspiring. 🙂

I’m getting ready to put away the dyes and tools for now, but there might be some more posts of close-up shots, and who knows when the next time will be…

More of sappan wood

Made this egg few weeks ago, when sappan wood dye was still fresh. Brown chicken egg, etched with vinegar, then sappan wood. Inspired by Natalie Kit and her brown eggs that I saw at Pysanky Toronto.

The pattern is from Odarka Onyshchuk’s album, I already the same pattern in malva and buckthorn and posted earlier. Here’s the photo of both eggs with this pattern together, who knows, I might make more of these still, love that pattern this year.

Coreopsis and madder

Some more experiments with same dyes, except this madder is from roots, not from powdered extract. In the first egg I overdid it with madder (because I have both light and dark red from the same dye), and it ate though the wax and messed with the yellow of coreopsis. Duck eggs.

First experiments with natural dyes complete.

Here is the result:

You already saw the previous post with yellow coreopsis dye. I must say this was my favourite dye, and I was extremely lucky to have started with it, because I have struggled quite a bit with the next dyes. Coreopsis give a good intense yellow with relatively little dye, without cooking (just boiling water), it dyes quite fast and works well for a long time. While the red dyes have spoiled by now, this one seems fine still, and smells as beautifully now, as it did in the beginning, in spite of having been sitting in a jar in a hot room. I love this dye and will definitely keep using it.

Now, one by one.

1. coreopsis – yellow, madder standard and cochineal – red (50-50 mixture, twice).

I would have probably dyed it for the third time, the plan was to leave it in the dye over night one more time (it had already a session of few hours and then once overnight), because it still had some patches not fully dyed to my liking, but when I came from the week-end of being away, the dye has spoiled, so I’ll have to try a new batch of red dye eventually. I have really struggled with both madder and cochineal, I was not getting the intensity of color that I was expecting based on other people’s reports (and probably based on my amazing experience with coreopsis), I have used up the small container of madder standard in the process. I still have a container of madder rich, but that has turned from powder into a piece of rock, so I’ve let it be for now. I am tempted to just buy some regular madder in a herb store – it comes both in the root form and in powder, and see whether it works better that this fancy dye powder. We’ll see.

2. red cabbage – teal, vinegar – white.

Red cabbage was a nice experiment, because that is something that is easily available in a grocery store. I did add a mordant, and changed the pH balance to have a blue tone instead of purple. It smells like cabbage, is rather weak when dyeing, and takes a while, but still it works, and let’s see how the color withstands time and light. Maybe I’ll show later in a separate post and in detail, how I made that dye, especially if I manage to get another egg or two dyed in it.

3. coreopsis – yellow, black walnut – brown. Goose egg.

Black walnut worked sort of OK, but took a while to dye. It’s good as foundation (or over-dye) for other colours to make them darker. Perhaps I should have dyed this one two or three times. The dye powder is coarser than others, and I have more of it, so I will likely play with it a bit more, to see whether I can get the color more intense or have it dye faster. The egg pattern is not traditional, it is from a memorized and partially improvised version of a trypillya-style egg I have seen before. Not sure who is the author of this pattern, if I knew I would say.

4. black walnut – brown, vinegar – white.

I did an experiment here, because this was an etched egg and I did not want to mess up the while background by taking the wax off with the candle, I did half of it with hot water and half with hot oil. Turned out, walnut did not like one of those procedures (neither, by the way, did the etched cabbage egg above), guess which was the procedure not liked by walnut and cabbage? You can see that the dye on the right (or bottom) half of the egg has partially washed away. Didn’t like the water, liked oil just fine. You’ll see later that lac did not like oil. But maybe would not have liked water even more, who knows…

5. coreopsis – yellow, red cabbage – pale green, lac and then black walnut – brown.

This is the egg from the previous post.

So the red cabbage gave this pale green instead of teal-blue after coreopsis. I fell in love with this pattern earlier this year, so here is a comparison, the same pattern dyed with chemical dyes, with natural dyes and without dyes – etching with vinegar on the brown egg.

6. coreopsis – yellow, madder and cochineal – red, lac – burgundy, vinegar – white.

In the photo below you can see that lac was not happy at all and came off with the wax. Not sure whether it did not like the hot oil, which I used to take it off, or maybe it was just generally unhappy. It did not behave like this in the egg above when I used black walnut over lac, maybe this is what I should have done here. But, in general, lac stinks (worse than cabbage), it takes a long time to dye, the color is not particularly nice, and as we can see, does not stay so well. And it spoiled also within the same timeframe as madder+cochineal. I still have some left, so I might do more research to see whether I can add something to the dye to make it more happy (chalk? cream of tartar? something else?) and play more with it, but probably not any time soon. I will probably try out other versions of similar colours that I have not tried yet before coming back to this one.

See, this is lac by itself, the first try on plain egg – I should have known still from this first run, that is does not stick all that well to egg, the dye came off just by me wiping the egg dry.

So, that’s it for now. Ask questions if you have any.

All the dyes I have used here besides red cabbage are Maiwa extracts in powder form.