Logwood dye finally tamed?

I love these kinds of patterns from the North-East of Ukrainian ethnic territories, this area is now in Russia, and this is where one of my great-grandfathers was killed during World War II. These are so earthy and so sky-ey at the same time. I sometimes think, if birds were to make pysanky (the decorated eggs), this of what they would look like. Maybe it’s the abundance of pine-branch motif, that look so much like feathers. They also remind me the patters of native Americans.

The dyes: yellow is probably buckthorn (though maybe still weld? When you make and throw out 3 yellow dyes in 10 days, things become a bit confusing). The red is sappan wood. Then things became somewhat complicated. I was going for dark brown and put it into walnut, but it actually managed to eat out the darker red and gave me quite light brick-brown.

I didn’t mind the color, but for this egg preferred it to be traditional rather than experimental, so the egg waited for about a week till I made logwood. This time, as also previously, logwood on other eggs was coming off with wax, so I made an experiment. After logwood was dark enough, I let the egg dry, and next day put it back into sappan wood hoping the the coat of another dye will keep the logwood from pealing off (that seemed to have worked OK with the dark purple egg in the previous post). Voila! Seems to have worked just fine. Now let’s hope the logwood dye doesn’t spoil before I want to use it again – I have to make new yellow, and possibly also new red, and I used up all of the logwood extract I had left from my first purchase of natural dyes few years ago.

Here’s another take, where you can see the side-band also.

Buckthorn yellow

Looks like this year, besides doing my usual favourite patterns, I will also be heavily exploring the book by Odarka Onyshchuk.

Here is the first chicken egg this year. The greenish main line is malva, but it is not cooperating very well this year. Then etching back to white with vinegar, and then buckthorn for yellow. Nice yellow, I must say, the way I like yellow to be. I used the buckthorn extract – finishing up old maiwa samples. Took maybe a teaspoon or two of what used to be the powder (hard to tell how much, as it was clumped into one blob), boiled for 10 min. with a little or cream or tartar and alum, let cool, filtered through a paper towel, and here we come. The yellow pigment is supposed to come from unripened buckthorn berries.

The pattern itself (with different colors and some minor differences) is supposedly from Volyn, she calls it “leafy swastika”. It’s surprisingly simple, and at the same time cute. I will definitely make it again, because I really liked it (and that doesn’t often happen to me), and I feel that I didn’t quite do justice to the pattern. So stay tuned for more versions of this egg.

Marigold + Sappan wood

Thanks to the strike that my Union is on since yesterday, the egg-speriments are back on. There were some eggs last year that didn’t get documented, but they ended up directly on Facebook, so they still have a chance to be documented eventually.

Here are the first attempts this year, yellow is marigold, red is sappan wood. The large egg is goose, the small one is duck. Both patterns are messed up (altered after having been mistaken) traditional ones. It’s OK, the first few eggs of the season are allowed to not be up to par.

The final result below is not nearly as inspiring as the intermediate above, I blamed it on Marigold dye, which was acting rather strange and I ended up throwing it out after these two eggs. Or it could be because I was greedy of deep red and over-died the eggs. Or maybe there is some issue with the sappan wood dye, I have read up on that dye some more and might experiment with a different recipe. I just boiled wood chips for about 10 min and added alum. An alternate recipe suggest simmering for 1-3 hours and then cooling overnight or longer, and also adding some chalk since this dye supposedly likes hard water. Or maybe I rushed to take the dye off, and should have let the eggs sit and dry for longer. Or maybe I should just use chicken eggs (need to go to the store for that). Anyway, we’ll see what the future experiments show.

Now that I threw out the acting strangely marigold dye, I made yellow from the left-overs of weld extract instead, so you’ll probably see a few eggs with yellow made of weld, but not sure how many – weld stinks, unlike most other flower based dyes, and I have a bit of over-sensitivity to bad smells. I still have some buckthorn extract, which I never tried before, and which is supposed to give yellow also, so we’ll see what happens (I guess it also depends on how long the strike lasts).

Last eggs of the summer

I had a thick pen and some dyes left over from making big eggs (which I will show you later), so I made a few simple eggs. I love using the thick pen even on small eggs.

The dyes did not cooperate so well, especially the red one, not sure why, they might have not liked going in and out of the fridge. The eggs also did not provide a very even coloring surface. Maybe because I wiped some pencil lines with vinegar? To be further explored.

Yellow is coreopsis as usual and red (or rather orange) is madder with cochineal. Duck eggs.

Coreopsis and madder

Some more experiments with same dyes, except this madder is from roots, not from powdered extract. In the first egg I overdid it with madder (because I have both light and dark red from the same dye), and it ate though the wax and messed with the yellow of coreopsis. Duck eggs.