Inner Bark of the Apple wood

Today was an interesting practical exploration day. Someone invited me to their back yard and showed me what is actually the “inner bark” of the apple tree. We explored removing it from the trimmed apple tree branches, and now I have some experience. For instance, I know that there is no point trying to remove it (or even the whole bark) from the branches that have been cut a while ago, it is much easier to strip the bark (and separate the inner bark if needed) from the freshly cut branches.

The apple tree dyestuff I have purchased is always whole branches, and they still work, but for some reason all of the late 19th century Ukrainian pysanky-related sources insist that the bark should be stripped from the branches and only the bark should be used for the dye. Korduba even uses a Ukrainian word which I do not know and have not found in the dictionaries, and I am guessing he could be referring to the inner bark:

To obtain the yellow dye, from the wild apple tree peal the bark with sumat’ [inner bark?], soak for some time in room temperature and then hot water and the dye is ready. … Because of that yellow dye is everywhere called as “apple dye”. Besides that, in all villages it is told that earlier and in some places even today the yellow dye is obtained from onion skins by boiling them with water. But that dye looks more reddish and never looks as nice as apple dye. (Korduba 175, my translation)

There are also old Estonian recipes using apple tree bark (and maybe also specifically the inner bark) to make the dyes for fibres, and Estonians had some very interesting ways of processing the barks to achieve strikingly different results, so I have heard (and also have seen some amazing photos or current experiments).

We also went and checked out one of the three claimed “wild apple” trees in Tartu, because it was nearby, and have found out in quite an interesting turn of accidental communications, that the specific tree was entered into the database by mistake, it is not wild. So the “wild” aspect of the apple tree bark used for dye is still inaccessible to us. Let’s see how that aspect unfolds.

Slightly disappointing green

This is one of the Asian medicinal herbs, butterfly pea (clitoria ternata) that produces a stunningly blue liquid, which I didn’t have very high expectations of, but still had to try. On an egg it came out with an unimpressive greenish on the left. The yellow from dried elderflowers on the right is here just for comparison.

Saskatoon berries (Amelanchier alnifolia)

Berries are special, tricky but special. I didn’t even know this berry existed before I moved to Regina, but it was very much used by the natives here (it was supposedly one of the ingredients of pemmican). It looks a bit like a large blueberry, though it is supposedly more closely related to apple, it tastes a bit more like black currant maybe, and once you cook it, it smells beautifully of cooked sour cherries. And it dyes. This was made from cooked frozen Saskatoon berries with alum.

Shades of blue are just the Saskatoon berry dye, and other shades are over-dyed with other colors. The dye is rather strong and tends to overpower the colors under it, but if you put it into red or yellow after the blue, shades and even different colours can be achieved. The purple egg is sappan wood over sask berries, the green ones are coreopsis and elderflower over sask. The yellow on the light-blue egg in the bottom is elderflower, then the egg was etched with vinegar back to white, and the light blue is a quick dip (maybe 5 min.) of a white egg into sask berry dye.

The question is, how long will the color last? Berry dyes tend to be not very lightfast, so I’ll need to do some experiments and wait and see what happens.

eggs in a bowl

Here are my eggs, all dyed with natural dyes, that I  brought as a demo to Pysanky Toronto event last weekend. Photo: Mykola Swarnyk

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Pysanky Toronto retreat

The 3-day pysanky retreat in Toronto is now over, it’s been a wonderful experience, amazing people, new friendships, exquisite art, ingenious craft, and the atmosphere full of inspiration, which, I’m sure, will last for a while. If you have an interest in decorating eggs, whether traditional, or contemporary, you have to come next year! (Possibly in June). Whether you are new at this, or you have been doing it for years, you will learn a lot.

Now, this is the only egg I managed to do, I just enjoyed too much seeing what others are doing, chatting, learning…

I was asked to do a presentation on natural dyes, and that in itself was a wonderful experience for me. I felt welcomed and very much encouraged, there is a lot of interest and desire to use natural dyes on eggs. I also made brought a set of 6 dyes, and even though natural dyes require much more time than chemical ones, they are very unpredictable, and some of them did not want to cooperate, several people tried them. By next time I think I will figure out a more cooperating set of dyes, and that will probably make a difference.

Gold – coreopsis extract, brown – combination of dried sappan wood dye and logwood extract dye. Chicken egg.

My first ever scratched egg

Here’s the egg from yesterday’s workshop. It’s a plain brown chicken egg, and to make these you don’t need anything besides a utility knife. This would work well for people who like to create their own patterns, rather that reproducing the traditional ones.

You could also dye an egg and then scratch off the dye. This would probably easier on the hands, but also more messy.