brown

Alder Bark

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I had to try making a dye from alder bark, one reason being that I found in archival documents that alder bark dye was used on pysanky in the village of Old Kuty, Kosiv povit at the beginning of XX century, the records are probably from around 1913-1914. The other reason(s) I might tell you later, for now I have to do some more research and experimentation.

This pysanka pattern is not from old Kuty, I just wanted to do something simple to see what alder bark dye would look like on the eggshell by itself with the most basic dye preparation.

So I took some dried alder bark (it’s quite easy to buy all kinds of herb-like stuff online in Ukraine), soaked in demineralized water for about 8ish hours (equivalent of overnight), then simmered in that same water for about 10 min, strained and let it cool. Next day I added a pinch or two of alum, and after a while used the dye to color the egg. The lighter shade is about 30 min in the dye (without a vinegar dip before the dye), the darker shade is overnight.

Even though the dye is quite slow, I do very much like how it attached to the shell. There’s no rubbing off or unevenness (which is often a problem, especially if leaving the egg in the dye for a long time). There is a very slightly lighter spot from where the weight was touching the egg, which could have been countered by shifting the egg in the dye every few hours, but it is barely visible. The way that this dye is attaching to the shell so well suggests that it might be a good ground either to put under, or sometimes to dye over other more finicky dyes.

Kursk with Brazilwood

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And the last post in today’s posting spree. Three eggs from Kulzhynskyy II-5,8,15 (egg ## 44, 56, 82), Kursk area and governorate, Sloboda Kozatska. These eggs are beautiful and I love them, I have written some before (not these three, it was the first time for these, and I think they might turn out better second time around). These eggs were written in 1891 by a peasant woman Pelageya Aleksandrovna Natarova, who was originally from the village Tazov of Kursk area.

The story of Kursk area eggs is quite unusual, because we generally believe that Russians did not write eggs, however Kulzhynskyy says that the population of all there areas in and around Kursk is predominantly “velikorusskoye“, that is, Russian. He mentions about the eggs acquired in the town of Kursk at the market (so not the ones I have here) that they are written mainly by the old-believer women presumably from the villages and are unknown to the town women. He never says directly that these were written by Russian women, and I don’t know whether old-believers were all necessarily ethnically Russian. What he does say (and that is also quite obvious from the images themselves), that the Kursk area eggs are very detailed, fine, and unlike any other area eggs.

So yea, a bit of a mystery and some potential controversy.

Yellow – elderflower with alum, red – brazilwood with alum, black – logwood with iron.

Logwood over apple

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This was supposed to be green, but turned out brown. I probably would need to play with the ph of logwood to take the red shade out, and maybe then it would be more green. Not sure I have the bandwidth for that right now, the classes deadlines are a little wild, so logwood is not a priority.

The egg is based on Kulzhynskyy 5-15, the green “rose” (there’s some debate about which particular flower the Ukrainian word рожа refers to, but in our context it’s not so important), the village Hubske, Lubny area, Poltava governorate, year 1888. Maybe at some point I’ll make it again with proper green, not brown.

Apple wood chips

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Both Kulzhynsky (1899) and Korduba (1899), when reporting on the use of natural dyes on eggs in what is now Ukraine, talk about wild apple tree bark as the main and most common source of the yellow dye. I have not seen anyone anyone using apple on eggs in the present time, so when I saw that Botanical Colors had some on sale, I just had to buy some and try. These are “wood chips” of apple tree, and I don’t know how similar or different it is from the “wild apple tree bark” reported by the classics, but it’s the closest we have at this point.

I used a simple method – covered the chips with demineralized water, soaked for a while (one or two days), then simmered for a while (probably about half and hour), added a pinch of alum, strained and used. The dye works rather slowly, but gives a very pleasant result, closer to what in the egging community is referred to as “gold”.

Here is the range on tone from the same dye, with a white egg on the left for comparison:

And here are the same eggs with wax removed, bottom left over-dyed with cochineal, bottom middle dipped in iron water, and bottom right with sappan wood:

All eggs are traditional Lithuanian patterns from this book.

I will be dyeing more with apple wood chips!

LAST WEEKS’ LITHUANIAN EGGS

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It’s been rather difficult for me to find inspiration for eggs, with war and all that looming the background, so I’m glad that “Pysanky Toronto 2023” that’s starting in a few days has forced me to make some for the Lithuanian eggs workshop I’m teaching there.

All of these are attempts to copy traditional Lithuanian patterns, for some of them there are several takes of the same pattern. 

There were three yellow dyes: apple wood chips (that I’ve never tried before, but that seems to be one the the most traditional yellow dyes in Ukraine), dyer’s chamomile, and some of our home grown last year’s coreopsis. Of the reds there was an old cochineal extract dye, which I’m surprised still worked, and I cannot remember when I made it, must have been for the natural dyes for Ukraine fundraiser last year. The second red dye was sappan wood which this time didn’t cooperate too well neither in the wood chips, nor in the extract form. All dyes were with alum, and the two greenish eggs were dipped into iron water after the yellow dye.

I will probably make another post or a couple eventually, showcasing at least the apple chips, but maybe other dyes individually as well.

I’m starting a new page in my egg adventures in September, so there will most likely be more frequent posts, in fact, I will probably add a personal blog page somewhere here to document my other-than-egg explorations and experiences.

Buckthorn again

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And some more buckthorn experiments, the lighter one with alum, the darker one with iron. I might stop making it with alum except maybe as a base for other colors, however the chocolate color with iron is very handsome looking.

The wax is still on, the contrast will be stronger once it’s off.

Wild cherry bark

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And the season begins, wild cherry bark with alum. I was hoping for more of a pink, perhaps that would come with different mordants.

Unfortunately, it rubs off a bit, we’ll have to see what to do with it…

Dried Cochineal (whole bugs)

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About a month ago we went to a local art shop which is the home base of the amazing water-colour paints (https://stonegroundpaint.com), and as we got talking about colors, paints and dyes, the owner, Eric, brought out a container of dried cochineal and gave me some to take home. So yesterday I finally got to it and cooked up some dye with alum and cream or tartar (as suggested by some fabric dyeing recipes). The pink you see on these eggs is that cochineal dye.

The other coral-like reddish orange is coreopsis extract with alum on top of the fist cochineal. The brown is the same cochineal-coreopsis sequence finished with a dip in iron water.

I will have to play more with the next batches of the dye (I only used about a teaspoon of bugs, which I then ground not very finely), I will likely use more bugs next time (to make the color more concentrated), I’ll grind them better, and will start with no mordants, and add cautiously.

For the first experiment with the whole bugs, I think this is not bad. I have tried cochineal extract before but didn’t have a lot of it, so I used it in combination with madder.

The next few months I will be experimenting more with cochineal, both the whole bugs and the extract. My parents gave me for Christmas a gift certificate to the Maiwa online store, so I’ll order some cochineal from them.

Last two weeks

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Made some more eggs, some were attempts to copy Lithuanian drop-pull eggs, while others were inspired by Lithuanian patterns. A number of dyes – two of coreopsis (extract and fresh), elderflower (dried), sappan wood, madder, saskatoon berries (frozen), I think that’s it though I might have forgotten something. Mainly with alum, one egg had sappan wood with iron on background.

And the season is over for now…

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All of these colors were achieved with the combinations of saskatoon berries (blue), sappan wood (red, pink), buckthorn (yellow), buckthorn with iron (brown), gardenia (yellow/gold), coreopsis (gold), elderflower (yellow) (except emu where no dyes were used), plus the natural variations of eggshell color and vinegar for etching.

I’m becoming more comfortable with drop-pull technique, seeing more possibilities. While most of these eggs are trying to be strictly traditional as much as possible (mostly Ukrainian, some Lithuanian), a few patterns have just appeared out of nowhere, non-traditional (though not necessarily anti-traditional) which is nice. To write “my own” design is something that almost never happened to me in the other more common technique, so to have it happen in drop-pull after a relatively short time is rather surprising and even inspiring. 🙂

I’m getting ready to put away the dyes and tools for now, but there might be some more posts of close-up shots, and who knows when the next time will be…