First egg in a dye gives a color like this, then it becomes pale orange towards coral.
alum
Last two weeks
Made some more eggs, some were attempts to copy Lithuanian drop-pull eggs, while others were inspired by Lithuanian patterns. A number of dyes – two of coreopsis (extract and fresh), elderflower (dried), sappan wood, madder, saskatoon berries (frozen), I think that’s it though I might have forgotten something. Mainly with alum, one egg had sappan wood with iron on background.
The shades of coreopsis
We have some tickseed coreopsis hybrid, the non-tinctoria variety, and so I had a chance to continue my coreopsis experiments from last year. I used some semi-fresh mainly wilted flowers and cooked them up in a usual way, then added alum. It gives colors that are very similar to the fresh flower of the tinctoria variety which I grew and then cooked up last summer. The shades are different from the coreopsis dye extract. While the extract gives what I would call a true gold, the dye from fresh flowers gives at the beginning a proper dark orange, almost pumpkin, and after a short time wears out and begins to give a pastel orange, a bit cold, towards coral.
In the photo left to right: coreopsis extract, then first egg from coreopsis fresh flowers, then third or maybe fourth egg in the day from fresh flowers that’s a few days old.
Fresh and wild
Some kind of chamomile on the left and some kind of artemisia (mugwort) on the right. Both with alum.
And here are both after iron water bath.
And the season is over for now…
All of these colors were achieved with the combinations of saskatoon berries (blue), sappan wood (red, pink), buckthorn (yellow), buckthorn with iron (brown), gardenia (yellow/gold), coreopsis (gold), elderflower (yellow) (except emu where no dyes were used), plus the natural variations of eggshell color and vinegar for etching.
I’m becoming more comfortable with drop-pull technique, seeing more possibilities. While most of these eggs are trying to be strictly traditional as much as possible (mostly Ukrainian, some Lithuanian), a few patterns have just appeared out of nowhere, non-traditional (though not necessarily anti-traditional) which is nice. To write “my own” design is something that almost never happened to me in the other more common technique, so to have it happen in drop-pull after a relatively short time is rather surprising and even inspiring. 🙂
I’m getting ready to put away the dyes and tools for now, but there might be some more posts of close-up shots, and who knows when the next time will be…
Chinese yellow – gardenia
A lady working at Herbie’s Herbs in Toronto suggested that I try out gardenia when I was shopping for dye-herbs there. She said, gardenia is used to color food in Chinese cuisine. So I bought some to give it a try. Apparently, it’s not just food.
Dominique Cardon writes about gardenia in her Natural Dyes:
Huangzhi is the source of a brilliant golden yellow that was of great cultural importance in ancient China. Together with madder red, indigo blue, white and acorn black (see Ch. 9), gardenia yellow was one of the five ‘pure’ or ‘correct’ colours to which numinous power was attributed and to whose di (power) shrines and ceremonies were dedicated as an integral part of wu xing, the philosophy of the Five Elements (see Ch. 4, p. 137). Of these five elements (fire, earth, wood, water and metal), earth was considered as the centre of all creation and was represented by the colour yellow obtained from gardenia. Not only did the emperor and imperial family wear huangzhi robes, but even the paper of imperial documents was of this colorur. (McClintock Dusenbury 2004)
The dye is supposed to be a direct dye, that is, it is supposed to work without a mordant, but I haven’t had time to play with it properly yet, so I used my usual recipe: about half of the packet above (so about 50-60g) of dried gardenia fruit, simmered with about 1.5 cup water, strained, added alum.
The dye came out rather viscous, and soon became too sticky to work as a dye on an egg (it was sticking to the egg surface and not coming off evenly), so I set it aside after the one initial use (the yellow on the brown egg on the left). It did layer quite well with sappan wood, you can see the result, before it became too sticky. After a while I decided to give it another chance, so I strained the dye through a paper towel to remove the thick gluey formations, added more water and brought to a boil again, and when it was thus diluted, it worked perfectly again – see the egg on the right. Probably the way to go would be to use less fruit from the beginning.
It is supposed to give quite a range of colors on fabrics (when changing time, Ph, temperature, oxygen content, etc.) and it is also supposed to be an excellent ground for safflower red (used with safflower pink, which otherwise seems to be rather moody and weak), so I might play some more with it in the future. And I might end up buying more books of the ones Dominique Cardon refers to when talking about gardenia, its a never ending story :).
Elderflower transformations
Same elderflower dye that gave bright yellow 10 days ago, now gives a more “mature” slightly mustardy or greenish color, but still works. I filtered it through a paper towel when it was developing “friends” and keep using it.
Three shades of yellow
Left to right: elderflower, coreopsis extract, buckthorn
Saskatoon berries (Amelanchier alnifolia)
Berries are special, tricky but special. I didn’t even know this berry existed before I moved to Regina, but it was very much used by the natives here (it was supposedly one of the ingredients of pemmican). It looks a bit like a large blueberry, though it is supposedly more closely related to apple, it tastes a bit more like black currant maybe, and once you cook it, it smells beautifully of cooked sour cherries. And it dyes. This was made from cooked frozen Saskatoon berries with alum.
Shades of blue are just the Saskatoon berry dye, and other shades are over-dyed with other colors. The dye is rather strong and tends to overpower the colors under it, but if you put it into red or yellow after the blue, shades and even different colours can be achieved. The purple egg is sappan wood over sask berries, the green ones are coreopsis and elderflower over sask. The yellow on the light-blue egg in the bottom is elderflower, then the egg was etched with vinegar back to white, and the light blue is a quick dip (maybe 5 min.) of a white egg into sask berry dye.
The question is, how long will the color last? Berry dyes tend to be not very lightfast, so I’ll need to do some experiments and wait and see what happens.
The lasting buckthorn
This is how buckthorn dye dyes more than 3 months after it was made. It was not kept in a fridge, no special treatment of any kind. There really is something to those hard core traditional dyes.
